Accordion Koto

Pauline Oliveros | Miya Masaoka

Though an unlikely combination – accordion and koto – it is not so much about the instruments as about the energies of the music that comes from the intensity of listening – listening as close to the“now” as possible. We know that consciousness is delayed by a fraction of a second that the brain interprets as now – however the body is instantaneous in its perception. Thus the phenomena of playing and being conscious of what is played – is a continually surprising experience in such improvisation.” Pauline Oliveros

2007 Deep Listening ‎– DL 36-2007

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