Category: Work
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Vaginated Chairs, Kunstmuseum Bonn
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A Line Becomes A Circle, a new chamber Noh opera
A new chamber opera composed by Miya Masaoka and performed by Makiko Sakurai (Shomyo), Ann Moss (Soprano), Chris Nappi (Percussion), Miya Masaoka (Koto) Roulette, 2017 More »
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A Long Way To F#
A Long Way to F# is a physical metaphor for over lives that at times resemble noise, chaos and undifferentiated existence, but that eventually focus onto a sharp moment of clarity. There will also be a 12 minute version available for listeners during certain hours each day…. More »
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Four Moons of Pluto for 1 to 5 contrebasse players
For double bass, from 1 to 5 players. James Ilgenfritz. First performance, The Stone, 2015. James has performed this piece many times all over the world. It was recorded on Innova Records (Triangle of Resistance) and also Infrequent Seams (Origami Cosmos) by James Ilgenfritz. A 5 bass player configuration was first performed at New Music… More »
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Channeling Scelsi: with Italian channeler Carlo Costa.
Channeling Scelsi: with Italian channeler Carlo Costa. This new work is an interpretation of Scelsi’s 1965 composition Ygghur originally written for cello. Performed on two 13 string kotos by Akiko Sasaki and Miya Masaoka…. More »
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Sound Corridors at the Knockdown Center
Multi-channel installation in cavernous space in Brooklyn, New York…. More »
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Other Mountain
2′ Excerpt: Other Mountain Performed by the La Jolla Symphony. A reading sponsored by Earshot and the Center for Jazz Studies, La Jolla Symphony, San Diego. Conducted by Steven Schick. Other Mountain is inspired from an experience in 2011 near a lake on the other side of Fukushima,Japan, the location of the 2011 tsunami and… More »
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The Dust and the Noise
piano, percussion, violin, cello, conducted by Richard Carrick… More »
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The Chattering of Life
for string quartet and improvising trio 5′ excerpt The Chattering of Life… More »
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Survival
Jennifer Choi, vln, Esther Noh, vln, David Wallace, vla, Alex Waterman, cello. Performed at Roulette ‘Survival excerpt 5′… More »